[. . . ] SPECIAL MESSAGE SECTION (U. S. A. )
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc. , is used, please observe all safety markings and instructions that accompany the accessory product. [. . . ] Turn Part Control on (if it isn't on already).
Each time Part Control is turned off and on again, the PART ON/OFF keys are reset to the default (all Parts on).
MEASURE
Do this in the normal way. See pages 44 - 46. )
Press the PART CONTROL button.
001 142
Indicates that Part Control is on.
3
Press the appropriate keys to mute and un-mute the desired Parts.
As the pattern is playing back, press the key in the PART ON/OFF section that corresponds to the Part you want to mute/un-mute. (You can also press several keys at once, to instantly mute/un-mute several Parts. )
To turn the Part On/Off function off, press the PART CONTROL button again. (When Part Control is off, "- - - -" appears in the Part Control section of the icon window. )
· On certain patterns and sections, not all of the Parts may be available -- in other words, some of the Parts may be "empty" and not sound. For example, Beat A of the "Acid" style (#009) doesn't have any Percussion, Phrase 2, or Phrase 3 Parts, so pressing the corresponding keys will have no effect; however, the Beat B section of that style does have the Percussion, Phrase 2, and Phrase 3 Parts. · If you've recorded a pattern to the Chord track of the User song (see page 80), the Part On/Off function lets you easily mute and un-mute specific instrument Parts of the pattern as it plays back.
MEASURE
001 142
Indicates Part Control (including Part On/Off) is off.
About the Parts
The actual instruments and musical backing used for Phrases 1, 2 and 3 may differ widely depending on the selected style. For example, the Snare Part in some patterns may not sound like a snare drum at all!(In particular, "Kick, " "Snare, " and "Hi-hat" refer mainly to those special elements of the rhythm -- and not necessarily the sounds. )
53
PATTERNS -- THE STYLE MODE
SETTING THE PATTERN SPLIT POINT SETTING THE PATTERN SPLIT POINT
The Pattern Split Point determines the highest key for the pattern section. The pattern can be played with the keys up to and including the Pattern Split Point key. This parameter can be set lower (but not higher) than the Split Point in the Split mode. When set to different values, the two settings affect one another in the following way:
· When the Split mode Split Point is set higher than the Pattern Split Point:
Pattern Split Point Split mode Split Point
Pattern
Split
Main
· When the Split mode Split Point is set to the same key as the Pattern Split Point:
Pattern Split Point = Split mode Split Point
Split voice + Pattern section
Main
The actual split points (of both the Split voice and the Pattern keys) change according to the Part Control on/off setting. When Part Control is turned off, both the split points drop one octave down, increasing the range of the Performance section. The following examples illustrate how the split points change in each case.
· When Part Control is on:
Pattern Split Point Split mode Split Point
Part Select keys
Pattern keys Split voice
Main voice
Part On/Off keys
· When Part Control is off:
Pattern keys
Split voice
Main voice
54
PATTERNS -- THE STYLE MODE
Function Parameter -- Pattern Split Point
Selecting and changing the Pattern Split Point: Press the FUNCTION button, then use the numeric keypad to select parameter number 51. After "FUNCTION" stops flashing, use the numeric keypad or +/- buttons to change the setting. (For details, see page 18. ) The value can also be set directly by pressing the desired key while this parameter is selected. After setting this, make sure to select a different parameter or exit the Function mode before playing the keyboard. F51 Parameter Name Pattern Split Point Display Name PtrnSPnt Range/Settings 000 -- 127 Description This determines the highest key for the PATTERN section and sets the pattern split "point" -- in other words, the key that separates the PATTERN section and the PERFORMANCE section. (When Pattern Control is turned on, the PATTERN section sounds up to and including the Pattern Split Point key. ) The default Pattern Split Point is 068 (G#3). This cannot be set higher than the Split Point in the Split mode (page 32). After setting this, make sure to select a different parameter or exit the Function mode before playing the keyboard.
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PERFORMANCE SETUP
Performance Setup is a powerful and convenient Style mode function that lets you instantly reconfigure virtually all settings of the DJX -- with the touch of a single button. Two types of Performance Setups are available: User and Preset.
PERFORMANCE SETUP -- USER PERFORMANCE SETUP -- USER
Four User banks each with four different settings -- a total of sixteen -- are available for your custom settings. Each of the sixteen User Performance Setups can have different settings for the following parameters:
· Main voice number · All Main voice settings (Volume**, Octave, Pan**, Reverb Send Level**, Chorus Send Level**, DSP Send Level**, Cutoff*, Resonance*, Attack*, Release*, and Modulation*) · Dual voice number · All Dual voice settings (On/Off, Volume**, Octave, Pan**, Reverb Send Level**, Chorus Send Level**, DSP Send Level**, Cutoff*, Resonance*, Attack*, Release*, and Modulation*) · Split voice number · All Split voice settings (On/Off, Split Point, Volume**, Octave, Pan**, Reverb Send Level**, Chorus Send Level**, DSP Send Level**, Cutoff*, Resonance*, Attack*, Release*, and Modulation*) · Reverb Type and On/Off · Chorus Type and On/Off · DSP Type and On/Off · Arpeggiator Type , On/Off, and Speed* · Style number, and style-related settings: Pattern Control On/Off, Section (Beat A or B), Pattern Split Point, Track settings (Part On/Off, Volume*, Pan*, Cutoff*, Resonance*, Reverb Send Level*, Chorus Send Level*, DSP Send Level*, Attack*, Release*, and Modulation*), Groove*, Dynamics*, and Dynamics Strength · Part Select (Knobs and Ribbon Controller) · Overall menu settings: BPM (Tempo), Transpose, Tuning, Pattern Volume, Ribbon Controller assignment, and Assign Knob assignment · Footswitch assignment · Touch Sensitivity · Pitch Bend Range * Last settings made with the Knobs and the Ribbon Controller are memorized. [. . . ] Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311
ITALY
Yamaha Musica Italia S. P. A. , Home Keyboard Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771
ASIA
HONG KONG
Tom Lee Music Co. , Ltd. 11/F. , Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
SPAIN
Yamaha-Hazen Electronica Musical, S. A. Jorge Juan 30, 28001, Madrid, Spain Tel: 91-577-7270
U. S. A.
Yamaha Corporation of America 6600 Orangethorpe Ave. , Buena Park, Calif. [. . . ]