User manual ART MDC-2001
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Manual abstract: user guide ART MDC-2001
Detailed instructions for use are in the User's Guide.
[. . . ] Three stereo line level inputs are also provided via RCA type jacks with separate Level controls for each stereo pair. Stereo Record output RCA jacks provide full-level signal of the entire mix at all times. Main outputs are stereo balanced ¼" TRS with Master Level and full range Bass/Treble equalization. [. . . ] The built in power supply and single high 19" rack mount format allows for easy installation and reliable operation.
FEATURES: Three balanced XLR inputs with separate Mic/Line switch, Level control and Clip Indicator Three pairs of RCA stereo inputs with separate Level controls Selectable 15 Volt Phantom power for each Mic channel Balanced ¼" TRS Main outputs with Master Level control Versatile Bass and Treble equalization on Main outputs Stereo Record Out RCA jacks Effects Loop with Effects Level control and In/Out switch ¼" Effects Send with stereo Returns
SPECIFICATIONS: Input Connections: Output Connections: Input Impedance: Output Impedance: Maximum Input Level: Maximum Output Level: Phantom Power: Maximum Gain: Signal to Noise Ratio: THD: Equalizer Range: Power Requirements: Dimensions: (HxWxD in) Dimensions: (HxWxD mm) Weight: XLR-F balanced (3), ¼" unbalanced (2), RCA (6) ¼" TRS balanced (2), ¼" unbalanced (1), RCA (2) 600/22K Ohms Mic/Line XLR inputs, 10K Ohms RCA inputs, 22K Ohms ¼" Efx Returns 50 Ohms ¼" Main outputs, 1K Ohms RCA Record outputs, 100 Ohms Efx output -10dBu/+20dBu Mic/Line XLR inputs, +20dBu RCA line inputs, +20dBu Efx inputs +24dBu balanced Main outputs, +20dBu RCA Record outputs, +20dBu Efx output +15 Volts DC, regulated low noise 56dB/26dB Mic/Line, 26dB RCA inputs >90dB typical . 01% Typical +/-12dB @ 100Hz & 10KHz USA 105 to 125 VAC / 50-60Hz, 15 Watts typical 1. 75 x 19. 0 x 6. 0 (44. 5 x 483 x 152) 6. 2 lbs. (2. 8kg)
OPERATION a) Verify proper voltage selection on the IEC style power connector for your location. c) For Mic channels requiring phantom power (for condenser mics), move the DIP switch to the down position to activate phantom power for each XLR input. d) Set each Mic/Line switch as required for the type of input signal level. e) Connect stereo signal sources (CD, tape/MP3 player, etc. ) to input channels 1, 2, and 3 using RCA type unbalanced cables. f) To patch-in effects, using three shielded TS (unbalanced) cables, connect the Efx Loop Send jack to the input of the effects unit and the unit's stereo outputs to the Left and Right Efx Loop Return jacks. Once the MDC-2001 is connected to the main mixer, tape deck, computer interface, or power amplifier, apply a test signal, set the Efx Loop In/Out switch on the front panel to the IN position, and adjust the Efx Level control for the desired effects intensity. ART shall not be liable for any consequential damages, including without limitation damages resulting from loss of use. Some states do not allow limitations of incidental or consequential damages, so the above limitation or exclusion may not apply to you. This warranty gives you specific rights and you may have other rights, which vary from state to state. For units purchased outside the United States, an authorized distributor of Applied Research and Technology will provide service.
SERVICE The following information is provided in the unlikely event that your unit requires service. Check to make sure the unit has power, all cables are connected correctly, and the cables themselves are in working condition. You may want to consult with your dealer for assistance in troubleshooting or testing your particular configuration. 2) If you believe the ART unit is at fault, go to www. artproaudio. com. [. . . ] You may want to consult with your dealer for assistance in troubleshooting or testing your particular configuration. 2) If you believe the ART unit is at fault, go to www. artproaudio. com. You may contact Customer Service for more assistance, or directly request a Return Authorization for service in the "resources" area of the website. [. . . ]
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