User manual BBE SOUND D82 SONIC MAXIMIZER

[. . . ] 11 - Known Issues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BBE Sound Inc. 5381 Production Drive Huntington Beach CA 92649, USA Terms of use and License Agreement for BBE Sound Inc. Software END-USER LICENSE AGREEMENT ("EULA") FOR BBE Sound Inc. SOFTWARE Please read this document carefully , and accept the following End User License Agreement. [. . . ] A lower frequency may reach the listener's ear first or perhaps simultaneously with that of a higher frequency. In some cases, the fundamental components may be so time-shifted that they reach the listener's ear ahead of some or all of the harmonic components. This change in the phase and amplitude relationship on the harmonic and fundamental frequencies is technically called "envelope distortion. " The listener perceives this loss of sound integrity in the reproduced sound as "muddy" and "smeared. "In the extreme, it can become difficult to tell the difference between musical instruments, for example, an oboe and a clarinet. conducted extensive studies of numerous speaker systems over a ten year period. With this knowledge, it became possible to identify the characteristics of an ideal speaker and to distill the corrections necessary to return the fundamental and harmonic frequency structures to their correct order. While there are differences among various speaker designs in the magnitude of their correction, the overall pattern of correction needed is remarkably consistent. The BBE Process is so unique that 42 patents have been awarded by the U. S. Patent Office. Authorization / iLok USB Smart Key What is an iLok?The iLok smart key enables you to carry all of your software licenses with you wherever you go using a single key. Use your software at home, at the office, at a studio, or at a friend's house. Here's how it works: 1. You'll download your authorization from your iLok account to your iLok smart key. Congratulation!, you can now use the software you bought wherever you go by using your iLok key. Once registered online with us, we will deliver your license authorization electronically to your iLok. com account. 1) Go to http://nomadfactory. com/register/register_ilok. html to register online with us. 2) On the registration page, enter your Digital ID (product activation code or serial number) in the Digital ID field, enter your iLok User ID in the iLok User ID (your iLok login name) field and complete all required fields, when ready, click 'Submit' NOTE: Allow us 24 hours to transfer your license authorization to your iLok account. 3) After receiving an email from us saying that your authorization is ready to be downloaded, go to http://ilok. com to download your authorization to your iLok key. SUPPORT via email: http://www. nomadfactory. com/support/index. html Authorization / Hard Disk - Challenge Response REGISTRATION Purchasing the license will result in the user receiving a product serial number (Digital ID). This number will enable the user to Register and Authorize the product via our online system accessible from : http://www. nomadfactory. com/register_challenge/index. html. AUTHORIZATION Once registered online with us, this software can be authorized by using the response code to your challenge. The Authorizer application is used for generating the challenge code authorization request. CHALLENGE / RESPONSE: 1) Launch the Authorizer application, when the Authorization window appears, click 'Authorize' 2) Copy the Challenge code. You will need to paste it in the Registration web page. 3) Go to http://www. nomadfactory. com/register_challenge/index. html to register the FULL version online with us. [. . . ] The meters on the D82 Sonic Maximizer react to the signal that is currently being processed, not the signal that is coming out of the sound card. This works fine in real-time processing situations, because the sound is sent out the sound card immediately after processing. However, when an application buffers up large amounts of audio, and there is latency before it sends the results out the sound card (e. g. for an offline preview), the meters will react out of synch from what is heard. [. . . ]