User manual DIGITECH DSP16

[. . . ] Opening the chassis for any reason will void the manufacturer's warranty. If liquid is spilled on the unit, shut it off immediately and take it to a dealer for service. Disconnect the unit during storms to prevent damage. HEED ALL WARNINGS FOLLOW ALL INSTRUCTIONS THE APPARATUS SHALL NOT bE ExPOSED TO DRIPPING OR SPLASHING LIqUID AND NO ObjECT FILLED WITH LIqUID, SUCH AS vASES, SHALL bE PLACED ON THE APPARATUS CLEAN ONLY WITH A DRY CLOTH. DO NOT INSTALL NEAR ANY HEAT SOURCES SUCH AS RADIATORS, HEAT REGISTERS, STOvES, OR OTHER APPARATUS (INCLUDING AMPLIFIERS) THAT PRODUCE HEAT. [. . . ] The Tone Library knob will let you select from a variety of pre-programmed amp/distortion tones (see page 29) based on different musical styles. The Effects Library knob will then let you select from a palette of effects chains (see page 29), from simple delays to full multi-effect signals with modulation, delay and reverb. Use the Effects Level Knob to increase or decrease the overall Chorus/FX, Delay and Reverb levels if desired. Using these three controls should get you close to a sound you are after. From there you can then use the Edit buttons to navigate through the individual effects for some fine tune edits. 1. Adjust the or effects chain with the effects level with the Effects Library knob Effects Level knob To edit and create a preset: 1. Use the Up and Down Footswitches to select the preset you wish to edit. If you find a preset close to what you want, you can begin editing the effect parameters by pressing the Edit Up/Down buttons and selecting the Effect row you want to edit. If you are trying to find something different from the existing presets, begin by using the Tone Library, Effects Library and Effects Level knobs to get close to a sound you want. Press the Edit Up/Down buttons to begin selecting the individual Effects rows to edit their parameters. Note: Anytime a stored value within a preset is changed, the Store button LED lights up. 3) ----------High High ------Knob 6 (Distortion Level) Level Level Volume Level Level Level Level Output Level Loud Level Level Heave Volume Volume Volume Volume Volume P7 (X-EditTM only) ----------Mid Freq -------- Screamer 808 SPArKDrV GuY ODrV DOD 250 redline rodent mx dist ds dist Grunge zone death gonkultr 8tavia fuzZlAtr clasCfuz fuzzYFAC big pi 14 Disclaimer: DigiTech®, DSP16TM, DigiTech Whammy®, MultiChorus®, AutoYaTM, YaYaTM, SynthTalkTM, Grunge®, DOD®, Lexicon®, and AudioDNA® are trademarks of Harman International Industries, Incorporated. Ibanez Tube Screamer, Voodoo Labs Sparkle Drive, Guyatone Overdrive, ProCo Rat, MXR, Boss Metal Zone, Roger Mayer Octavia, Demeter Fuzzulator, Arbiter Fuzz Face, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, MXR DynaComp, TC Electronic, EH Electric Mistress, EH Small Stone, Boss Octaver, Unicord Univibe, Fender Opto Tremolo, Vox Bias Tremolo, Maestro Echoplex, Fender Twin Reverb, EMT, Fender Tweed Deluxe, Fender Bassman, Fender Blackface, Twin Reverb, Marshall Super Lead, Mesa/Boogie, Hiwatt, Fender Tweed Champ, Soldano, Jensen Blue Backs, Celestion, Johnson Amplification, VHT Amplification, Sunn, Orange, Gibson, Laney, Roland, Peavey, 5150, and Randall are trademarks of their respective companies and are not associated or affiliated with DigiTech or Harman International Industries, Incorporated. These trademarks of other manufacturers are used to identify products whose sounds were reviewed in the making of this product. All Rights Reserved. Amplifier The amplifiers are an assortment of popular vintage and modern amp tones. Amp - By default, Knob 1 selects one of the classic, modern, and DigiTech custom Amp types. Note that when you select an Amp, the default cabinet is automatically selected. You can, however, change the cabinet after selecting an Amp to achieve different tones. Based on a `57 Fender® Tweed Champ® Based on a `57 Fender Tweed Deluxe Based on a `59 Fender Tweed Bassman® Based on a `62 Fender Brown Bassman Based on a `65 Fender Blackface Twin Reverb® Based on a `65 Fender Blackface Deluxe Reverb® Based on a `65 Marshall® JTM-45 Based on a `68 Marshall 100 Watt Super Lead (plexi) Based on a `68 Marshall Jump Panel Based on a `77 Marshall Master Volume Based on an `83 Marshall JCM800 Based on a `93 Marshall JCM900 Based on an `01 Marshall JCM2000 Based on a `62 Vox® AC15 Based on a `63 Vox AC30 Top Boost Based on a `69 Hiwatt® Custom 100 DR103 Based on an `81 Mesa Boogie® Mark II C Based on a `94 Mesa Boogie® Mark IV Based on an `01 Mesa Boogie Dual Rectifier Based on an `04 Mesa Boogie Triple Rectifier Based on a 99 Legacy VL-100 Based on a `96 MatchlessTM HC30 Based on an `88 Soldano SLO100 Based on a Laney Supergroup. Based on a Peavey® 5150 II® Based on a Randall RG100 Based on a Roland JC120 Based on a Sunn Solar 100S 80s shred guitar. DigiTech 2101 Clean Tube DigiTech 2101 Saturated Tube Based on a modified Plexi. Dreadnaught acoustic Jumbo acoustic No amp 57 champ 57deluxe 59BassMn 62BAssmn 65 twin 65dluxrv 45 jtm 68 plexi jumppanl mastrvol 800 jcm 900 jcm 2000 jcm ac15 AC30 tb hiwattag mark iic mark iv dualrect triprect 99legacy matchc30 sldno100 supergrp ga-40 or-120 PV 5150 rG100 jazz 120 solar100 dig solo digmetal digbrght digchunk digclean dig gain digblues dig fuzz digspank 2101 Cln 2101 sat digcrnch digmnstr digtweed digblack digstonr digdkmtl digtrans digbrown dig mosh dread AC jumbo ac direct Disclaimer: DigiTech®, DSP16TM, DigiTech Whammy®, MultiChorus®, AutoYaTM, YaYaTM, SynthTalkTM, Grunge®, DOD®, Lexicon®, and AudioDNA® are trademarks of Harman International Industries, Incorporated. [. . . ] Press the Edit button until the Expression row has been selected (indicated by the LED lighting on the Expression row). Rotate Knob 4 to adjust the Wah effect's maximum value. 26 Expression Update The DSP16's Expression pedal has the option to update its position each time a preset change is made. The default behavior for the Expression pedal is to only update its position on a preset change when the Volume Pre or Volume Post parameter is linked within a preset. This lets the Expression pedal behave like a real volume pedal between preset changes. [. . . ]