User manual DIGITECH EX7

[. . . ] DECLARATION OF CONFORMITY Manufacturer's Name: Manufacturer's Address: declares that the product: Product name: Product option: EX 7 all (requires Class II power adapter that conforms to the requirements of EN60065, EN60742, or equivalent. ) DigiTech® 8760 S. Sandy Parkway Sandy, Utah 84070, U. S. A. Warning For your protection, please read the following: Important Safety Instructions Read these instructions. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. [. . . ] Control 2 (tip): Q (Shape) ­ Changes the bandwidth of the frequency centers. Lower settings produce a mild Wah effect, higher settings produce extreme Wah filtering. Control 3 (tip): Volume ­ Boosts or cuts the output level when the Wah is enabled. DigiTech® XP300 Space StationTM Synth SwellTM This model recreates the most popular tone on a rare and hard-to-find pedal. The DigiTech® XP300 Space StationTM Synth SwellTM packs an entire outer-space string orchestra into your guitar, and lets you create otherworldly effects and flourishes which you can Octave Up control with the Expression Pedal. Control 1 (tip): Pitch Shift ­ Selects one of the seven different pitch shift intervals for the swell effect. (See diagram. ) 5th Up 4th Down 4th Up Detune 5th Down Octave Down Control 2 (tip): Chorus/Pitch Balance ­ Pitch Shift Interval Positions Balances the pitch and chorus effects. Minimum position has chorus and no pitch shift; maximum position has pitch shift and no chorus. Control 3 (tip): Swell Attack Time ­ Adjusts the volume attack time. When in the minimum position, Autoswell attack is off (swell is controlled via the Expression Pedal). Expression Pedal ­ Controls the input level (volume swell). MODEL 4. DigiTech Whammy® Model 4 captures the unmistakable sound of DigiTech®'s legendary pitchbender, the Whammy®. You can now command smooth pitch bends, rich detuning, accurate dive bombs, and fast-tracking harmony shifts, just like the original. Octave Up Control 1 (tip): Whammy Amount ­ Adjusts the Whammy pitch interval. (See diagram. ) 5th Up 2nd Up > M3rd Up Detune 2 Octaves Up Octave Down > Octave Up Reverse 2nd Down Control 2 (tip): Tone ­ Adjusts the overall tone of the Whammy effect. Lower settings decrease high frequencies; higher settings increase high frequencies. Control 3 (tip): Wet/Dry Mix ­ Controls the dry level and effect level mix. Expression Pedal ­ Controls the Whammy pitch shift. Whammy Amount Interval Positions MODEL 5. When Range is set to its maximum position, the Speed control sweeps the entire delay time and the Expression pedal is effectively disabled. Control 2 (tip): Speed ­ Controls the LFO speed of the flanger effect based on the Range setting. When Range is set to its minimum position, the Speed control is effectively disabled and the flange sweep is controlled by the Expression Pedal. Control 3 (tip): Enhance ­ Controls the amount of feedback in the flanger effect. Expression Pedal ­ Manually controls the sweep of the flanger effect. [. . . ] The INDICATOR LED should flash green three times if calibration was successful. If the calibration procedure fails, the INDICATOR LED will flash red instead of green during step 8 and the unit will not return to normal operation until the Expression Pedal has been properly calibrated. Select Model 1 using the MODEL knob at this time and repeat steps 5-8 until Expression Pedal calibration is successful. Using the Optional FS3X Footswitch The Expression FactoryTM accommodates the optional FS3X 3-button footswitch. When an Effect Model or an Effect + Distortion Model is enabled, the MODE footswitch toggles between Effect Model only (green LED) and Effect + Distortion Model (red LED), until either the Expression Factory's TOE SWITCH (Effect Model) or HEEL SWITCH (Effect Model + Distortion Model) has been pressed to put the Expression Factory into bypass. [. . . ]