User manual DIGITECH GNX2

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Manual abstract: user guide DIGITECH GNX2

Detailed instructions for use are in the User's Guide.

[. . . ] GENETX TM GUITAR PROCESSOR USER'S GUIDE Warning For your protection, please read the following: Water and Moisture: Appliances should not be used near water (e. g. near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or near a swimming pool, etc. ) Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. These symbols are internationally accepted symbols that warn of potential hazards with electrical products. The lightning flash means that there are dangerous voltages present within the unit. The exclamation point indicates that it is necessary for the user to refer to the owners manual. These symbols warn that there are no user serviceable parts inside the unit. [. . . ] * These Parameters are only available using the GENEDITTM computer editor software. Type - The Number 4 knob is used to select the 5 TalkerTM types and turns the Talker off (talkoff). Talker types range from talker 1 (deep tonal characteristics), to talker 5 (bright tonal characteristics). Sensitivity - The Number 5 knob is used to adjust the microphone sensitivity for the TalkerTM effect. The TalkerTM must have an appropriate input level from your microphone in order to work properly. If the microphone input is too weak, the TalkerTM will have trouble tracking. If the input is too strong, the TalkerTM will clip making the words unintelligible. The Mic Sensitivity ranges from 1 being the least sensitive to 99 being the most sensitive. Chorus/Mod Effects The Modulation Effects group is a multi-function module allowing you to select effects such as; Chorus, Flanger, Phaser, Triggered Flanger, Triggered Phaser, Tremolo, Panner, Vibrato, Rotary Speaker, AutoYaTM, YaYaTM, SynthTalkTM, Envelope Filter (auto wah), Detune, and Pitch Shift. When the Chorus/Mod group is selected, the Status button is used to turn the Effect (effect) module on and off. The Number 1 knob is used to select the type of effect. After selecting the type of effect in this module, the Number 2-5 knobs can then be used to adjust the individual parameters associated with the selected effect. The following pages describe each effect and their parameters in more detail. CHORUS (CHORUS) A Chorus adds a short delay to your signal. The delayed signal is modulated in and out of tune and then mixed back with the original signal to create a thicker sound. Parameter 1 - The Number 2 knob adjusts the rate (Speed) of the modulation. * These Parameters are only available using the GenEditTM computer editor software. 22 Effects and Parameters Parameter 2 - The Number 3 knob adjusts the intensity (Depth) of the modulation. Parameter 3 - The Number 4 knob adjusts the PreDelay (PREDeLaY) or length of time before the Chorus effect is applied to the input signal. * Parameter 4 - Selects the waveform used by the Chorus. Waveforms include: Triangle , Sine, and Square. Mod Level - The Number 5 knob controls the level (mod levl) of the Chorus. FLANGER ( flanger) A Flanger uses the same principle as a Chorus but uses a shorter delay time and adds regeneration (or repeats) to the modulating delay. This results in an exaggerated up and down sweeping motion to the effect. Parameter 1 - The Number 2 knob adjusts the rate (Speed) of the modulation. Parameter 2 - The Number 3 knob adjusts the intensity (Depth) of the Modulation. Parameter 3 - The Number 4 knob adjusts the amount of feedback (Regen) added to the Flanger delay. * Parameter 4 - Selects the waveform used by the Flanger. Waveforms include: Triangle , Sine, and Square. Mod Mix - The Number 5 knob controls the mix (mod mix) of wet and dry signal. [. . . ] Dry Track can tap the signal before or after the Mod Effects, Delay, and Reverb modules, or off the Input. With Dry Track 1 enabled, the signal delivered to the Digital Output signal includes processing from the Pickup Modeling module through the Noise Gate module. With Dry Track 2 enabled, the signal is tapped of the input jack and sent directly to the digital output. This lets you record an unprocessed signal that can be fed back into the input for the purpose of `re-amping' your signal through different amp models. [. . . ]

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