User manual DIGITECH PDS1650

[. . . ] If the provided plug does not fit your outlet, consult an electrician for replacement of the obsolete outlet. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. For rack-mount or installation where plug is not accessible, an all-pole mains switch with a contact separation of at least 3 mm in each pole shall be incorporated into the electrical installation of the rack or building. Manufacturer's Name: Manufacturer's Address: declares that the product: Product name: Product option: DigiTech 8760 S. [. . . ] MIDI In The MIDI In accepts MIDI Notes, Continuous Control, and Program Change messages for harmony generation and control. When the VL3D's USB port is connected to a computer, any data received at the MIDI In jack is passed up via USB to your computer recording/sequencer application. When the USB port is not connected to a computer, this jack passes on all MIDI data received at MIDI In jack. When the USB port is connected to a computer, all MIDI data received via USB from the computer is passed through this jack. Note: When USB is connected, the VL3D's MIDI In does not pass data to the MIDI Thru jack 5. Headphone Output The stereo main mix is supplied to this 1/8" TRS Headphone Output. Guitar Thru The guitar signal received on the Guitar In is passed through the ¼" unbalanced Guitar Thru to connect to the guitar effects or amplifier. 7 7. Guitar In This ¼" unbalanced Guitar In connects directly to the guitar for use by musIQ® Guitar Mode harmony generation. Note: It is important for the VL3D to be the first device in the guitar signal chain to ensure proper analysis of the guitar signal for harmony generation. Ground Lift Switch This switch lifts the Guitar In and Guitar Thru ground references to eliminate any noise hum issues that may arise from system ground loops. Line Out (L & R) These ¼" balanced TRS / unbalanced TS Line outputs provide a stereo mix of Lead Vocal and Harmony Voices. If the Guitar Signal Strength indicator lights red, then the Guitar Sensitivity should be changed to Lo. To set the Guitar Sensitivity hold the Tuner button until the new Guitar Sensitivity setting of Hi or Lo is displayed. The most common setting is Lo Guitar Sensitivity. Tuner It is important for your guitar to be properly tuned in order for the musIQ® technology to generate the best sounding harmonies. Alternate tunings (for example, DADGAD or tuning down) are fine, as long as the built-in tuner shows each string as in tune. If you are using an external tuner, make sure that the reference is set to 440 Hz. To use the built-in tuner, press the Tuner button to start the Guitar Tuner. Note that for the Tuner to work properly it needs to receive adequate guitar signal strength, which is indicated by the Guitar Signal Strength indicator. As each string is individually played, the closest note to that played will appear on the Display and the Tuner Bars will show the deviation in pitch from the target note. If the string is in tune with the target note, the green center Tuner Bar will be lit. Bars to the left will light if the string is flat and bars to the right if the string is sharp. When all strings are in tune, press the Tuner button to exit the Guitar Tuner. 11 Using the VL3D with a Computer There are two options when using the VL3D with a computer: 1. [. . . ] After a second the SP on the display will be replaced with the currently selected Split Point. To define a new Split Point, you must play two notes on your keyboard. The first note played defines the Split Point note that separates the active zone from the inactive zone. The second note played defines the inactive region as above or below the specified Split Point. [. . . ]