User manual DIGITECH TIME MACHINE

[. . . ] By doing so you will ensure that your disposed product undergoes the necessary treatment, recovery and recycling and thus prevent potential negative effects on the environment and human health. Disclaimer: DigiTech®, TIME MACHINETM, DigiTech Whammy®, MultiChorus®, AutoYaTM, YaYaTM, SynthTalkTM, Grunge®, DOD®, Lexicon®, and AudioDNA® are trademarks of Harman International Industries, Incorporated. Ibanez Tube Screamer, Voodoo Labs Sparkle Drive, Guyatone Overdrive, ProCo Rat, MXR, Boss Metal Zone, Roger Mayer Octavia, Demeter Fuzzulator, Arbiter Fuzz Face, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, MXR DynaComp, TC Electronic, EH Electric Mistress, EH Small Stone, Boss Octaver, Unicord Univibe, Fender Opto Tremolo, Vox Bias Tremolo, Maestro Echoplex, Fender Twin Reverb, EMT, Fender Tweed Deluxe, Fender Bassman, Fender Blackface, Twin Reverb, Marshall Super Lead, Mesa/Boogie, Hiwatt, Fender Tweed Champ, Soldano, Jensen Blue Backs, Celestion, Johnson Amplification, VHT Amplification, Sunn, Orange, Gibson, Laney, Roland, Peavey, 550, and Randall are trademarks of their respective companies and are not associated or affiliated with DigiTech or Harman International Industries, Incorporated. These trademarks of other manufacturers are used to identify products whose sounds were reviewed in the making of this product. All Rights Reserved. Table of Contents Section One - Introduction Getting Acquainted . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Press the Edit Up/Down buttons to begin selecting the individual Effects rows to edit their parameters. Note: Anytime a stored value within a preset is changed, the Store button LED lights up. Changing presets, or turning the power off before storing any changes, erases any changes made and the TIME MACHINE will revert to the stored values for the preset. Also, if you are using the TIME MACHINE with the Amp/Cabinet Bypass button enabled (effects only), Tone Libraries that use amps only will not provide distortion or tone changes since amps and cabinets are globally disabled. Storing/Copying/Naming a Preset Once the preset has been modified to your liking, you may store your settings to any of the 00 User preset locations (presets -00). The following steps outline the procedure for storing changes to a preset or copying a preset to a different location: . The Store button LED blinks and the first character in the Display flashes, indicating that you can now name your custom creation. Use Knob 1 to select the alpha-numeric character and Knob 2 to select the next character location. 1. Once the desired name is shown in the display, press the Store button again to enter the second stage of the storing process. Select the User preset location where your new sound will reside using the Up and Down Footswitches. The displays show the preset name and User preset number about to be overwritten. 3. The procedure for copying one preset to another preset location is the same. DigiTech 20 Clean Tube DigiTech 20 Saturated Tube Based on a modified Plexi. Dreadnaught acoustic Jumbo acoustic No amp 57 champ 57deluxe 59BassMn 62BAssmn 65 twin 65dluxrv 45 jtm 68 plexi jumppanl mastrvol 800 jcm 900 jcm 2000 jcm ac15 AC30 tb hiwattag mark iic mark iv dualrect triprect 99legacy matchc30 sldno100 supergrp ga-40 or-120 PV 5150 rG100 jazz 120 solar100 dig solo digmetal digbrght digchunk digclean dig gain digblues dig fuzz digspank 2101 Cln 2101 sat digcrnch digmnstr digtweed digblack digstonr digdkmtl digtrans digbrown dig mosh dread AC jumbo ac direct Disclaimer: DigiTech®, TIME MACHINETM, DigiTech Whammy®, MultiChorus®, AutoYaTM, YaYaTM, SynthTalkTM, Grunge®, DOD®, Lexicon®, and AudioDNA® are trademarks of Harman International Industries, Incorporated. Ibanez Tube Screamer, Voodoo Labs Sparkle Drive, Guyatone Overdrive, ProCo Rat, MXR, Boss Metal Zone, Roger Mayer Octavia, Demeter Fuzzulator, Arbiter Fuzz Face, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, MXR DynaComp, TC Electronic, EH Electric Mistress, EH Small Stone, Boss Octaver, Unicord Univibe, Fender Opto Tremolo, Vox Bias Tremolo, Maestro Echoplex, Fender Twin Reverb, EMT, Fender Tweed Deluxe, Fender Bassman, Fender Blackface, Twin Reverb, Marshall Super Lead, Mesa/Boogie, Hiwatt, Fender Tweed Champ, Soldano, Jensen Blue Backs, Celestion, Johnson Amplification, VHT Amplification, Sunn, Orange, Gibson, Laney, Roland, Peavey, 550, and Randall are trademarks of their respective companies and are not associated or affiliated with DigiTech or Harman International Industries, Incorporated. These trademarks of other manufacturers are used to identify products whose sounds were reviewed in the making of this product. Pressing this knob alternates between selecting amps and cabinets champ1x8- Based on a x8 `57 Fender® Tweed Champ® dlux1x12 - Based on a x2 `57 Fender Tweed Deluxe® dxrv1x12 - Based on a x2 `65 Fender Blackface Deluxe Reverb brit1x12 - Based on a x2 `62 Vox® AC5 w/20W Vox Speaker gbsn1x12 - Based on a `60 Gibson® GA40 Jensen Speaker bman2x12 - Based on a 2x2 `57 Fender Blonde Bassman® twin2x12 - Based on a 2x2 `65 Fender Blackface Twin Reverb® brit2x12 - Based on a 2x2 `63 Vox® AC30 Top Boost w/ Jensen® Blue Backs jazz2x12 - Based on a 2x2 `84 Roland® Jazz Chorus bman4x10 - Based on a 4x0 `59 Fender Tweed Bassman® clas4x12 - Based on a 4x2 Marshall® 969 Straight w/ Celestion® G2-T70 Gren4x12 - Based on a 4x2 Marshall 969 Slant w/ Celestion 25W Greenbacks fane4x12 - Based on a 4x2 Hiwatt® Custom w/ Fane Speakers botq4x12 - Based on a 4x2 `96 VHT® Slant w/ Celestion Vintage 30's vntg4x12 - Based on a 4x2 Johnson® Straight w/ Celestion Vintage 30's rect4x12 - Based on a 4x2 Mesa/Boogie Rectifier V30 speakers solo4x12 - 4x2 DigiTech® Solo brgt2x12 - 2x2 DigiTech Bright metl4x12 - 4x2 DigiTech Metal rock4x12 - 4x2 DigiTech Rock altr4x12 - 4x2 DigiTech Alt Rock dvtg4x12 - 4x2 DigiTech Vintage chnk4x12 - 4x2 DigiTech Chunk spnk4x12 - 4x2 DigiTech Spank digispkr - DigiTech Speaker Compensation direct - No cabinet Amp Gain - Knob 2 adjusts the Gain (distortion) for the selected Amp (not available for Acoustic). The Level parameter ranges from 0 to 99. 6 Disclaimer: DigiTech®, TIME MACHINETM, DigiTech Whammy®, MultiChorus®, AutoYaTM, YaYaTM, SynthTalkTM, Grunge®, DOD®, Lexicon®, and AudioDNA® are trademarks of Harman International Industries, Incorporated. Ibanez Tube Screamer, Voodoo Labs Sparkle Drive, Guyatone Overdrive, ProCo Rat, MXR, Boss Metal Zone, Roger Mayer Octavia, Demeter Fuzzulator, Arbiter Fuzz Face, EH Big Muff Pi, Dunlop Cry Baby, Vox, Clyde McCoy Wah, MXR DynaComp, TC Electronic, EH Electric Mistress, EH Small Stone, Boss Octaver, Unicord Univibe, Fender Opto Tremolo, Vox Bias Tremolo, Maestro Echoplex, Fender Twin Reverb, EMT, Fender Tweed Deluxe, Fender Bassman, Fender Blackface, Twin Reverb, Marshall Super Lead, Mesa/Boogie, Hiwatt, Fender Tweed Champ, Soldano, Jensen Blue Backs, Celestion, Johnson Amplification, VHT Amplification, Sunn, Orange, Gibson, Laney, Roland, Peavey, 550, and Randall are trademarks of their respective companies and are not associated or affiliated with DigiTech or Harman International Industries, Incorporated. These trademarks of other manufacturers are used to identify products whose sounds were reviewed in the making of this product. All Rights Reserved. EQ The TIME MACHINE's EQ helps further shape your tone with Low, Mid, and High controls. Mid Frequency - Knob 3 selects the frequency that the Mid parameter adjusts. Range is from 2000 Hz to 8000 Hz High Level - Knob 6 adjusts the High EQ level. [. . . ] This lets the Expression pedal behave like a real volume pedal between preset changes. When Expression Update is enabled (ON), the Expression pedal will update its position regardless of the parameter linked, giving it more of an "analog" feel like a real expression pedal would behave. Press the Edit button until the Expression row has been selected (indicated by the LED lighting on the Expression row). Expression Update is a global function that affects the behavior for all presets. [. . . ]