User manual FISHMAN SA220

[. . . ] Servicing is required when the apparatus has been damaged in any way, such as a power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. Do not expose the apparatus to dripping or splashing liquids and do not place objects filled with liquids (such as a beverage container or a vase) on the apparatus. Warning" To reduce the risk of fire or electric shock, do not expose this apparatus to moisture. The apparatus should be connected to mains outliet with a protective earthing connection. [. . . ] High ­ Boost highs to add "air" to the sound of the instrument. With the knob set at 12 o'clock, the control is effectively out of the circuit. Anti-Feedback ­ If you encounter low-frequency feedback, sweep this control to isolate and eliminate it. Mid ­ This control affects how well the instrument blends in or stands out in the mix. With the dial set at 12 o'clock, the control is effectively out of the circuit. Reverb Level ­ Controls the amount of digital reverb in the channel. In general, boost bass at low volumes and flatten it out (or cut) at higher levels. With the dial set at 12 o'clock, the control is effectively out of the circuit. 6 1 2 3 4 5 6 7 8 9 10 7 Front Panel Controls (cont. ) 11. 10dB Pad ­ If you have a high output pickup and the Clip LED comes on at low Gain settings, push this switch in for a more usable range. XLR Mic Input ­ You may also connect an outboard preamp with balanced XLR out to this input. 1/4" Instrument Input ­ Accepts all types of passive or active acoustic pickups. Note: If you attempt to plug in both the XLR and 1/4-inch inputs at the same time, the XLR shuts off. Aux In ­ Use this to control the level of a device plugged into the Aux Input. Note that the Aux channel is independent of the Mute switch, so you can play pre-recorded music on your breaks. Monitor ­ Use this to control the level of the device you plug into the Monitor Input. Reverb (Select) ­ Press the Reverb button to select among four preset reverb effects. Phantom Power ­ Provides 48V to the XLR input for use with a condenser Microphone. The Phantom LED will light to indicate 48V is being supplied to the XLR jack. For more information on Phantom Power, see page 17. 8 14 15 16 17 11 12 13 9 Rear Panel Controls 19. Channel 1 & 2 Effects Loop (Send) ­ Patch an external effect (delay, reverb, chorus) through the send and return jacks for each channel. Use a standard 1/4-inch shielded instrument cable to connect the effects send to the input of the effect. This serial effects loop is located postEQ and is compatible with battery-operated stompbox-style effects processors. [. . . ] designed for phantom-power operation, such as the Fishman Pro-EQ Platinum. 17 CH. 1 GAIN POST SIGNAL 15dB PAD 16dB 18dB INPUT BUFFER GAIN HI-PASS LOW, MID, HIGH NOTCH FX SEND FX RETURN POST MIX D. I. 1 Gain POWER AMPLIFIERS CROSSOVER TWEETER LEVEL HI LIMITER AUX INPUT DIGITAL REVERB MONITOR LEVEL CH. 2 REVERB LEVEL AUX LEVEL MASTER VOLUME TIP = LEFT RING = RIGHT 1234 HI-PASS LOW 18 REVERB SELECT CLIP LED 80Hz LIMITER IN Ch. [. . . ]