User manual KONICA MINOLTA DIMAGE S404

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Manual abstract: user guide KONICA MINOLTA DIMAGE S404

Detailed instructions for use are in the User's Guide.

[. . . ] 9224-2781-11 H-A201 E INSTRUCTION MANUAL BEFORE YOU BEGIN Thank you for purchasing this Minolta digital camera. Please take the time to read through this instruction manual so you can enjoy all the features of your new camera. This manual contains information regarding products introduced before February, 2002. To obtain compatibility information for products released after this date, contact a Minolta Service Facility listed on the back cover of this manual. [. . . ] Full-time AF can be activated in the custom 1 section of the multi-function recording mode menu (p. When the monitor is turned off or when the camera is set to manual focus, full-time AF is disabled. Turning the full-time AF function off can help conserve battery power. METERING MODES The icons indicating both metering modes are displayed on the monitor only. The metering mode is set in the custom 1 section of the multi-function recording mode menu (p. Multi-segment metering uses 270 segments to measure luminance and colour. This data is combined with distance information to calculate the camera exposure. This advanced metering system will give accurate worry-free exposures in almost all situations. Spot metering uses a small area within the image to calculate the exposure. When this mode is selected, the LCD monitor will automatically activate if off and a small circle will appear in the middle of the live image indicating the measuring area. The spot allows precise exposure measurements of a particular object without being influenced by extremely bright or dark areas within the scene. If the LCD monitor is turned off, the spot-metering mode will remain active. LCD monitor Data panel ­ Multi-segment Spot metering 58 EXPOSURE BRACKETING In multi-function recording mode, the bracketing increment can be changed in three steps: 0. 3 Ev, 0. 5 Ev, 1. 0 Ev. The larger the number, the greater the difference in exposure between the images in the bracketed series. The bracketing increment can be changed in the custom 1 section of the multi-function recording mode menu (p. 50). DIGITAL ZOOM AND IMAGE SIZE The digital zoom doubles the lens magnification (p. The digital zoom can be disabled in the custom 1 section of the multi-function recording mode menu (p. When an image is taken with the digital zoom, the final image size depends on the image-size setting on the camera. The image is trimmed and then the total number of pixels are recalculated to produce an image with a pixel resolution shown in the chart. 2272 X 1704 Size of recorded image 1024 X 768 Image size setting 1600 X 1200 1280 X 960 1024 X 768 1024 X 768 640 X 480 640 X 480 59 MULTI-FUNCTION RECORDING IMAGE CONTROL COLOUR, SHARPNESS, CONTRAST, & SATURATION Changes in colour, sharpness, contrast, and saturation can be made using the custom 2 section of the multi-function recording mode menu (p. These imaging controls give photographers the ability to maximize the image information at the scene. For example, if a scene is too contrasty, information can be lost in the shadows and highlights; decreasing the contrast will bring out more detail. Any changes made with these functions are applied to the live image on the monitor. The colour mode, sharpness, contrast, and colour saturation levels must be set before the image is recorded. If sharpness, contrast, or colour saturation is set to any setting other than normal, an icon will be displayed indicating an increase (+) or decrease (­) in the quality selected. [. . . ] · In a cold environment, the LCD monitor may become temporarily dark. · The LCD monitor may be slow to react in low temperatures or may turn dark in a hot environment. When the camera reaches normal operating temperature, the display will function normally. · If fingerprints are on the LCD monitor surface, gently wipe with a soft, clean, dry cloth. COPYRIGHT · TV program, films, video tapes, photographs, and other materials may be copyrighted. [. . . ]

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