User manual LINE 6 412VS-T-B

[. . . ] 1·1 Modulation Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2·1 Parameter Details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2·1 Distortion Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3·1 Parameter Details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Usually sounds best with higher Mix levels. * All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6's sound model development. Leslie® is a registered trademark of Suzuki Musical Instrument Manufacturing Co. Fender® is a registered trademark of Fender Musical Instruments Corp. Hammond is a registered trademark of Hammond-Suzuki. Modulation Models Tri Chorus This model is based on the Songbird/DyTronics Tri-Stereo Chorus. This analog chorus featured 3 chorus circuits working off of 12 low frequency oscillators and 3 delay lines. B MOD DEPTH2 Tri Chorus SPEED DEPTH3 DEPTH MIX · Knob 1: Chorus Speed. · Knob 5: Mix from 0% (dry) to 100% (wet). Pitch Vibrato Based on the Boss® VB-2 vibrato, which featured a bucket brigade analog circuit that produced a lively vibrato. Thanks to this clever circuit, each time you kicked it on, it sped up to where you last had it set. 2·9 B MOD RISE Pitch Vibrato SPEED VOLSENS DEPTH MIX · Knob 1: Vibrato Speed. A louder input speeds up the vibrato, and a lower input slows it down. · Knob 5: Mix. * All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6's sound model development. Also included are a Volume model, 6 Compressors, Noise Gate and 5 EQs. Most Distortions have the same parameters, controlled by Knobs 1 thru 5: · Knob 1: Drive control. · Knob 5: Output level. Distortion Models Reference Table : Controls & Parameters Model Tube Drive Screamer Overdrive Classic Dist Heavy Dist Colordrive Buzz Saw Facial Fuzz Jumbo Fuzz Fuzz Pi Jet Fuzz Line 6 Drive Line 6 Distortion Sub Octave Fuzz Bass Octaver Octave Fuzz Boost Comp Knob 1 Drive Drive Drive Drive Drive Drive Drive Drive Drive Drive Drive Drive Drive Drive Drive Drive Drive Knob 2 Bass Bass Bass Bass Bass Bass Bass Bass Bass Bass Fdbk Bass Bass Bass Bass Bass Bass Knob 3 Mid Mid Mid Filter Mid Mid Mid Mid Mid Mid Tone Mid Mid Sub Mid Mid Comp Knob 4 Treble Treble Treble Treble Treble Treble Treble Treble Treble Treble Speed Treble Treble Treble Treble Treble Treble Knob 5 Output Output Output Output Output Output Output Output Output Output Output Output Output Output Output Output Output 3·1 Distortion Models Tube Drive Based on the Chandler Tube Driver®. The original was designed by keyboardist Brent Butler to add grind and girth to his Farfisa. Utilizing a single 12AX7 preamp tube, the Tube Driver delivers the sweet singing sustain craved by guitarists worldwide. A DIST MID Tube Drive DRIVE TREBLE BASS OUTPUT Screamer Based on the Ibanez® TS-808 Tube Screamer®. From Stevie Ray Vaughan to Michael Landau, the simple Tube Screamer is the overdrive heard 'round the world. A DIST TONE Screamer DRIVE TREBLE BASS OUTPUT · Knob 3 controls Tone, true to the original Tube Screamer's Tone knob. 3·2 Overdrive Based on the DOD® Overdrive/Preamp 250, which was designed to slam the input of a tube guitar amp as well as add distortion. The original had only gain and level controls, but the M13 adds Bass, Mid and Treble EQ. A DIST MID Overdrive DRIVE TREBLE BASS OUTPUT · You can set Knob 1 at a minimum level on this and other Distortion models to get a boost in level without distorting your tone too much. * All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6's sound model development. DOD® is a registered trademark of DOD Electronics Corp. Distortion Models Classic Distortion Based on the ProCo Rat from the late '70s. The Rat was the beginning of a new generation of distortion boxes, with a sound that was angrier and more aggressive than a conventional fuzz tone. A DIST FILTER Classic Dist DRIVE TREBLE BASS OUTPUT · Knob 3 functions like the original Rat's Filter control, which gives you a brighter tone at lower settings, and a darker tone at higher settings. Heavy Distortion Based on the Boss® MT-2 Metal Zone, which was introduced at the height of the big-hair metal craze of the late '80s/early '90s. Heavy and scooped, the tones of this model beg to be chunked upon. A DIST MID Heavy Dist DRIVE TREBLE BASS OUTPUT 3·3 Colordrive Based on the Colorsound® Overdriver, which originated from London's Macari's Music Exchange in 1965. [. . . ] · Knob 5: Mix. * All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6's sound model development. Roland® is a registered trademark of Roland Corp. Filter Models Included in the Distortion group are 8 exclusive Wah models from the POD X3. Vetta Wah An original Line 6 wah that made its debut in the Line 6 Vetta amplifier. Fassel A model of the Jen Electronics Super Cry Baby, manufactured in Italy using the famed Fasel Inductor. C FILTER Vetta Wah POS MIX C FILTER Fassel POS MIX Weeper Modeled after the Dunlop Model GCB-95 Cry Baby. Chrome Modeled after the Vox® Model 847 wah pedal. C FILTER Weeper POS MIX C FILTER Chrome POS MIX Chrome Custom Modeled after a custom modified Vox® 847 wah. Throaty Modeled after the RMC Real McCoy Custom wah. C FILTER Chrome Custom POS MIX C FILTER Throaty POS MIX 4·11 Conductor Modeled after the Maestro® Boomerang Wah. Colorful Modeled after the Colorsound® WahFuzz-Swell. C FILTER Conductor POS MIX C FILTER Colorful POS MIX * All product names used in this manual are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6's sound model development. [. . . ]